Interest in the 'golden age' of Egyptian cinema has reignited online. Harnessing the aesthetics and personality of the once-towering industry, Abdulrhman Mohamed's art acts as a creative portal into Egyptian cinema and the creative national psyche.
Through an exploration of the uniquely Coptic tradition of the funeral prayer, George Iskander reflects on the significance of death in Egypt's Coptic community to challenge reductionist narratives of victimhood.