How the US, Israel & Iran are controlling their media narratives

In the ongoing conflict between the United States, Israel, and Iran, it appears that all the countries agree on controlling the media.

Despite differences in their political system, all three governments follow an approach that prioritises "national morale" and "operational security" over press freedom and the flow of information.

This approach redefines the concept of fake news and extends its authority to managing public sentiment, making coverage more "positive" and "optimistic". 

The goal is unified: to turn media into a state mouthpiece that tells only the official narrative of the war.

The Trump administration's political pressure

In the US, media restrictions don't appear as direct bans on journalism, as in more authoritarian systems. Instead, pressure comes through political and regulatory channels, alongside attempts to shape the war narrative against Iran.

Federal Communications Commission Chairman Brendan Carr warned broadcasters they could lose their licences if they aired what he described as "false news" about the war.

In a post on X on 14 March, Carr said stations airing "misleading" information had the opportunity "to correct course" before licence renewal. He added: "The law is clear: broadcast stations must operate in the public interest, or they will lose their licences."

Later, President Donald Trump said he was extremely pleased to see Carr review licences of "corrupt" and "unpatriotic" news organisations because they "coordinate with Iran" and "should face treason charges".

Regulatory pressure is accompanied by a political and media campaign to shape a specific image of the war.

Trump attacked major newspapers such as the New York Times and the Wall Street Journal for reports of damage to U.S. military aircraft at a Saudi base, calling them "degenerate journalism" that wanted the country to "lose the war".

This pressure has also extended to the military.

At a Pentagon press conference, Defence Secretary Pete Hegseth accused the media of downplaying the success of the military campaign against Iran, criticised coverage of operations, suggested alternative headlines for television reports, and named CNN specifically, saying its performance would improve if ownership and management changed.

In an incident bordering on the absurd, The Washington Post reported that the Pentagon barred journalists from attending war briefings after Hegseth’s team objected to his appearance in previously taken photos, restricting access to Pentagon photographers.

Nevertheless, pressures did not start with the war on Iran.

In October 2025, the Department of Defence announced a new policy regulating journalists’ work inside the Pentagon, requiring official approval before publishing any information, even if it was not classified.

The Trump administration justified the restrictions as necessary for national security. Hegseth said access to the Pentagon was "a privilege, not a right," while Trump argued the limits were needed because the press is "dishonest". Measures included removing dedicated offices for some media outlets and replacing them with shared facilities under a new rotation system.

Israel's approach

In Israel, media restrictions during war take a different form that is based on strict military censorship and obstructing journalists in the field, in addition to targeting media institutions in Iran and Lebanon.

This month, the Israeli military censor issued new instructions to foreign media limiting coverage of rocket attacks within Israel.

These included banning live broadcasts during sirens, forbidding filming missile interceptions or impact sites near security installations, and preventing the publication of exact impact locations or reposting videos from social media without prior approval.

Authorities justified the restrictions as a way to prevent opponents from using media coverage to "improve missile strike accuracy".

Israeli forces detained CNN Türk reporter Emrah Cakmak and cameraman Khalil Kahraman during a live broadcast from Tel Aviv following an Iranian missile attack, confiscating their phones, camera, and microphone, and accessing a password-protected phone without permission. The journalists stated that their equipment was not returned.

On the same day, Security Minister Itamar Ben-Gvir and Communications Minister Shlomo Karai announced stricter measures against foreign media violating military censorship instructions, adopting a policy of "zero tolerance".

Authorities also detained Turkish journalists Ilyas Efe Ünal and Adam Metan while crossing from Egypt into Israel on 4 March. Metan said they were interrogated for about six hours before being released.

The following day, Haifa municipal police attempted to remove international media teams covering war-related events, including CNN, Fox News, BBC, Anadolu Agency, and Al Arabiya, despite journalists following military censorship rules.

Days later, on 8 March, Israeli police prevented Al Araby TV correspondent Abdelkader Abdel Halim from continuing coverage in Haifa, with an officer captured on video saying that "filming is prohibited in Haifa."

Israeli strikes also targeted media institutions in Lebanon and Iran.

Several Lebanese media outlets were hit during Israel's raids, including Sawt Al-Farah radio in Tyre, Al Nour radio, and Al Manar TV in Haret Hreik in Beirut’s southern suburbs. And in a separate strike, Saksakiyah media centre in southern Lebanon was also targeted.

In Iran, strikes hit the state-run Radio Dezful offices in Khuzestan, the headquarters of the Islamic Republic of Iran Broadcasting in Tehran, a communications centre near the building, as well as the Kurdistan Network TV building in Sanandaj, and the reformist newspaper Sazandegi in Tehran.

Iran's internet shutdown

If the US uses regulatory tools and Israel relies on military censorship and field restrictions, Iran’s model is based on direct control of information flow. Hours after the US-Israeli aggression began, authorities cut the nationwide internet.

Journalists said the outage hampered communication with sources, sending reports and photos, and verifying field information, while a limited number of users, including state media, retained restricted access through a government-controlled "white internet".

As the war continued, Tehran tightened legal restrictions on media coverage.

The judiciary criminalised filming or covering US or Israeli strikes in Iran, considering the publication of such material as potential "evidence of cooperation with an enemy".

Confrontations escalated with calls to target opposition media.

The Tabnak website published an article urging the armed forces to target Iran International TV and suggesting taking action against the channel’s offices and the homes of some staff.

Security agencies carried out a series of arrests in several provinces for sending photos and information about strikes to foreign media, including Iran International, classified by Iran as a "terrorist channel".

Article translated from Arabic by Afrah Almatwari. To read the original, click here.

Majdoline Al-Shammouri is a writer based in Beirut.

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Opinions expressed in this article remain those of the author and do not necessarily represent those of The New Arab, its editorial board or staff.